Tokyo Video Game Tycoon: Chapter 1077 Cold and cruel story

Chapter 1077 A Cold and Cruel Story

David Martinez, a character who also has a trace in the game Cyberpunk 2077.

 What he did has been spread in the underground world for a long time, and he has become one of the legends of Night City.

At the same time, there is another thing accompanying the title Legend of Night City, and that is death.

 There has never been a living legend in Night City.

 Even the protagonist V in the game is the same.

 No matter how hard the protagonist V tries, he will inevitably die after becoming a legend, just like other legends.

David Martinez's last glorious moment was his confrontation with the most powerful prosthetic weapon, Adam's Hammer.

 The combat effectiveness of both sides should be about the same in the end, but David Martinez's spirit could no longer withstand the mental pressure brought by the mechanical prosthetic body, and he was seriously injured while in a trance.

In the past few months, Asami Shinji had specifically sought out Takeyusei several times. Even he felt that the story was a bit tragic.

 The main character group is almost dead, and in the end only the heroine and another marginal character are left.

When Asami Shinji was making this animation, he also had a general understanding of the story structure of the game Cyberpunk 2077, and knew that there are some ways to save thoughts on the Internet in this world view, so he hoped that Takeyusei can make everyone Martinez or several other important characters have the opportunity to be resurrected through another dimension.

 Obviously, Asami Shinji has begun to like this story, and hopes to continue to produce animations about the cyberpunk worldview in the future.

However, Zhu Youxing refused directly.

The almost annihilation of the protagonist group represents the coldness and ruthlessness of Night City. Any powerful person who enters will be severely shattered. It is an invisible force that drives everything. It is impossible for anyone to survived.

 The protagonists in the games you make will not have a good ending. How can the protagonists in the animations have a good ending?

 The world view of cyberpunk highlights this cold characteristic.

Although such stories are very tragic, they can easily offend some people, because most people still prefer to read stories with optimistic or happy endings.

But my own cyberpunk doesn’t think it would do such a thing.

 In the end, Asami Shinji could only go back to animation in disappointment.

When Asami Shinji left, Takeyusei assured him that he could continue to film the next cyberpunk animated series. This time Takeyusei would not restrict too much, nor would he continue filming. A fixed story structure is given, but Zhu Youxing needs to read the script later to make sure that the storyline will not deviate from the main tone of the cyberpunk worldview.

Perhaps it was the stimulation from Zhu Youxing at the end that made him work harder when making animations.

It seems that he really likes this worldview, and he has already begun to imagine that he will create a charming cyberpunk world in the future, just like other cyberpunk worldview works that were once well-known in this world.

TV Tokyo's new station Ogi reported to Takeyusei that the animation production was completed. Takeyusei immediately contacted Asami Shinji. Asami Shinji also rushed to the Yusei Electronic Entertainment building as soon as possible. He wanted to personally The first complete version of the Cyberpunk Edgewalker animated series that I produced was handed over to Zhu Yuxing for review.

With his rich experience in animation production, Asami Shinji is confident that the animation he produced this time is definitely his best work in the industry.

On the one hand, he really likes this story and can devote himself to creating it. On the other hand, Yuxing Electronic Entertainment is really generous with the money, which allows him to recruit people and use the latest production technology. Be a little more casual.

 Without the constraints of money, he allowed himself to produce freely and got results that he was satisfied with.

After Asami Shinji handed the first version of the completed animation to Takeyusei, Takeyusei simply called a group of senior executives and several producers responsible for cyberpunk development to a separate office to watch it together.

 The total length of the animation is not long, each episode is about twenty minutes.

In order to make the story richer, this version of the Cyberpunk Edgewalker animated series has produced a total of eleven episodes.

˜The transformation of the protagonist, the closer relationship between the protagonist and the heroine, etc. are further described.

 This is the icing on the cake, but it also makes the whole story more complete.

Several people watched it for a whole afternoon, without even skipping any of the opening and ending songs.

Thanks to sufficient funds and the rich music tracks provided by Youxing Electronic Entertainment, the opening and ending songs have made great distinctions in the content of each episode, using various clipart-like forms to express the entire episode. A relatively simple introduction to the story and world view of the animation.

This not only allows people to watch the opening and ending songs patiently, but also allows the audience to better understand the world. It is the best of both worlds.

 This can only be done if the monetary cost is not considered. Asami Shinji has never fought such a wealthy battle in his life, so he is not willing to waste every second when making animations.

 At the beginning, everyone including Airi Hayazawa was still talking and laughing while watching the cartoon.

 Especially the producers who developed Cyberpunk 2077, they were quite indifferent in the scene where the protagonist’s mother died in the first episode, and then the protagonist returned home with his mother’s urn with empty eyes.

Airi Hayasawa and several other people who were not involved in the development of the Cyberpunk 2077 game began to become silent.

There was a person who had experienced the death of a loved one. When he saw the empty look of the protagonist in the animation, he couldn't help crying. It was obvious that he was a very emotional person, and because he had Similar experiences reminded him of some sad things.

From this point of view, it can at least be proved that the beginning of this animation has been quite successful, and people can easily be infected by the emotional content of the plot.

 Zhu Youxing is quite satisfied with this.

 Then what follows is the protagonist's adventure in the first episode, where he tries to add an illegal prosthetic body left behind by his mother to his own body.

At that moment, the protagonist David Martinez completed his first character arc change.

The plot rhythm of all this is arranged just right. Takeyusei himself only gave an outline of the story, and the rest of the story rhythm arrangement was done by Asami Shinji himself.

 He is indeed quite good at this aspect.

 Zhu Yuxing feels that it would be a pretty good choice for him to continue to produce several series of animation works in the future.

 (End of this chapter)