Asking About Longevity: Chapter 475 Dacheng

Chapter 475 Dacheng

Lu Chengyun never expected that he gave Mo Hua a few glances, and Mo Hua memorized the Lingshu formation diagram and restored it.

Twelve lines of one rank, the Xiaolingyin Sect inherited the Lingshu Formation from the Great Lingyin Sect’s ultimate formation more than a thousand years ago!

Mo Hua was so happy that he started to understand without further delay.

 The Corpse Mine is not a place to stay for a long time.

 He needs to learn the Lingshu Formation as soon as possible so that he can find a way to escape earlier.

There are also Lu Chengyun and Lu Jia.

 Learning the Lingshu Formation will free up your hands to deal with Lu Chengyun and the Lu family.

No matter what Lu Chengyun's conspiracy is, he cannot succeed.

The Lu family has been domineering and prosperous for so many years, so they must get the retribution they deserve.

The Ten Thousand Corpses Formation will be destroyed, and Zu Tu will **** it away. This corpse mine, as well as the iron corpses and walking corpses in it, cannot be left alive, otherwise there will be endless disasters.

 Among these things, the Lingshu Formation is the key.

 Mo Hua had made up his mind and began to concentrate on studying the formation.

 Lingshu Formation learning is progressing very quickly.

 Because before, Mo Hua had obtained part of the Spiritual Pivot Formation diagram from walking corpses and iron corpses, and had already gained a general understanding.

Having gained insight into the principles of the Lingshu Formation, I tried the use of the Lingshu Formation on the little tiger.

Now that we have the complete Lingshu Formation diagram, we only need to check for omissions and fill in the gaps to further deepen our understanding of the Lingshu Formation.

 It took some time to memorize the formation pattern in ink painting, and then practiced it several times on paper.

 At midnight, Mo Hua fell asleep, his consciousness sank into the sea of ​​consciousness, and he continued to practice on the Taoist stele.

 The next day during the day, he pretended that his consciousness was exhausted, his body was unwell, and his face was pale, and he did not draw the formation eyes of the Ten Thousand Corpses Formation.

Instead, he hid in the room and secretly practiced the Lingshu Formation while Lu Chengyun wasn't paying attention.

On the third day, he pretended to be getting better, went to the array of thousands of corpses, squatted among a group of coffins, and painted the array eyes.

 After finishing the painting, I came back in the evening and continued practicing the Lingshu Formation.

 After a few days, Mo Hua realized something was wrong.

This spiritual pivot formation seems to have been tampered with...

 On the surface, this formation is already complete.

 Use the highest-weighted Lingshu main formation to control the sub-weighted Lingshu secondary formation, and then use the Lingshu secondary formation to control the lower-level Lingshu basic formation.

But Mo Hua discovered that this Lingshu Formation has some flaws in its formation patterns.

 It's like being left with a "back door".

 These few formation patterns were left in the hands of others.

As long as these formation patterns are not completed, the formation will have a backdoor.

 The general formation is not the general formation, but only the sub-array of the next level.

 Others can use this "back door" to bypass the main formation of the spiritual hub drawn by Mo, and then coordinate and control all the secondary formations and basic formations he drew.

 At that time, the Lingshu formation that Mo Hua worked so hard to arrange may very well become someone else's "wedding dress."

 “Pick peaches!”

 “So insidious…”

Mo Hua shook his head.

 This backhand was definitely left by Lu Chengyun.

 But it is estimated that he kept this back-up not just to protect himself.

Rather, it is to be wary of all formation masters who see the Lingshu Formation diagram, learn the Lingshu Formation, and try to build a weight system for the Lingshu Formation.

Whether it’s corpse refining, weapon refining, or even refining puppets, monastic equipment, etc., as long as his Spiritual Pivot Formation is used, he will eventually “usurp power”.

Because Lu Chengyun has the highest authority of the Spiritual Center Array.

"Fortunately, I noticed it, otherwise I would have really fallen into Lu Chengyun's trap..."

 Mo Hua was a little scared, and then he was a little confused.

 What are the missing array patterns?

Where will Lu Chengyun be hiding?

Mo Hua thought about it for a long time, but for a while, he had no idea.

Lu Chengyun is the head of the Lu family. The Lu family is so big and the corpse mine is so big. It couldn't be easier to hide the formation.

 “Be invisible and keep an eye on me?”

Mo Hua thought for a while and shook his head again.

With my current consciousness and anonymity, it was still a bit reluctant to stare at Lu Chengyun's head.

 Forget about building foundations in general.

Lu Chengyun himself is an formation master, and he is also an evil formation master. He is also suspicious in nature. If he follows him in secret, he will definitely be suspicious of him.

 This kind of thing can only be discussed when one's consciousness is stronger.

 “But what should we do?”

 With the Spiritual Pivot Formation in front of you, it’s impossible not to learn it.

 But once you learn it and use it, it is equivalent to "working" for Lu Chengyun, and the gain outweighs the loss.

Even if you look for it, it’s not that easy to find.

Who knows where Lu Chengyun would hide these formation patterns?

Mo Hua touched his chin and suddenly remembered:

 “Bronze coffin!”

Lu Chengyun would not give a back-up to others, but he would not do the same to himself.

 The Lingshu Formation he drew must be a complete formation with no loopholes.

 The formation he painted on the bronze coffin must be complete!

Mo Hua’s eyes lit up.

So the next day, when Lu Chengyun was drawing formations in the bronze coffin, the ink paintings quietly came back to look at them.

 Zhang Quan noticed it and gave Mo Hua a warning look.

Mo Hua stared back confidently, then turned his head and continued looking.

 The Lingshu Formation painted by Lu Chengyun is different from his own.

His Lingshu Formation uses evil formation techniques, using bones as brushes, blood as ink, and corpses as the medium for the formation.

And the form of his formation is also different.

He dipped it in blood over and over again and painted the spiritual pivot array on the bronze coffin.

The blood stains will gradually fade, and the formation will gradually melt into the coffin.

 What kind of doorway is this? Mo Hua is not very clear about it.

  But fortunately, the inner formation patterns and principles are the same.

 The ink painting can still identify the inner formation patterns of the Lingshu Formation.

Lu Chengyun's eyes were slightly green, and he was so focused that he didn't notice the ink painting. He saw it occasionally, but it didn't matter. He just smiled and asked:

 “Sir, what do you think?”

Mo Hua frowned, shook his head and said:

 “It’s too difficult to understand...”

 Even though he couldn’t understand, he was still reading.

 Array masters are all like this. The more they don’t understand, the more they want to understand. The more they don’t understand, the more they want to understand...

Lu Chengyun knew this experience, so he didn't think there was anything wrong with it.

 Ink painting is even more natural.

As he watched, he commented in his mind:

“This Lu Chengyun paints too slowly. I have been waiting for him for a long time. If he had asked me to paint, he would have finished it long ago…”

 “This painting is wrong, I haven’t discovered it yet…”

“It’s also a bone pen, it’s blood ink, it’s also a corpse medium...there are so many things to pay attention to..."

 “Procrastinating…”

 …

Mo Hua murmured in his heart for a long time. Finally, Lu Chengyun flicked his wrist and started writing quickly, leaving a few lines in his pen.

These formation patterns look relatively unfamiliar in ink paintings. He matched these formation patterns with the Lingshu Formation and found that the two fit perfectly, enough to make up for the missing "back door" in the formation.

Mo Hua looked confused on the surface, but in his heart he was like a bright mirror. With a thought, he remembered these patterns in his heart.

As soon as Lu Chengyun started writing, he subconsciously realized that something was wrong. He turned his head and saw that the expression in the ink painting was no different, so he felt relieved...

 The incomplete formation pattern was also obtained.

After returning home, Mo Hua used these formation patterns to make up for the gaps in the Lingshu formation and blocked the back door left by Lu Chengyun.

 After spending a few more days studying and debugging, Mo Hua finally fully mastered the Lingshu Formation.

 At the same time, his understanding of the Lingshu Formation also deepened.

 The formation principle of the Spiritual Pivot Array is to clarify the structure of spiritual power, and through the center of the formation, the spiritual power can be controlled in detail.

 The key to this kind of control is the spiritual thread.

 Split the spiritual power into finer hairsprings, and achieve more detailed control with the help of hairsprings.

 At the same time, similar spirit hub formations will echo each other.

Just like in Sinan's sub-array, the main array echoes the sub-array, and the spiritual energy fluctuations sensed by the sub-array will be reflected in the main array.

 Similar spiritual hub arrays will echo and connect with each other.

 This connection is the control of spiritual power.

 The main array controls the secondary array, and the secondary array controls the basic array. In this way, a small amount of spiritual consciousness can be used to control a large number of walking corpses or puppets.

 This type of array function has never been discovered in the Five Elements array in Mo Hua.

“Jue Zhen, it really involves the essence of spiritual power, taking over the creation of heaven and earth…”

The ink painting was a bit shocking, and I said silently in my heart.

 After learning it, he tried out the complete Spiritual Pivot Formation on the little tiger.

Mo Hua has a bunch of little tiger puppets on his body.

These are all prepared by the puppet master, and Mo Hua asked them to prepare to test the Lingshu Formation.

 He picked out a slightly larger one and called it "Big Tiger", and then drew the Spiritual Pivot Formation on the big tiger.

 After that, he painted the Lingshu Formation on the other six or seven little tigers.

 Mo Hua uses his spiritual consciousness to control the spiritual hub formation, and with the help of formation techniques, he can control the big tiger.

 Then, based on the main Lingshu array, it radiates to the sub-arrays of other little tigers, and controls the little tigers through the sub-arrays.

 The Lingshu Formation at all levels is displayed in the Sea of ​​Ink Painting.

 The ink painting’s spiritual consciousness is slightly moved.

 The big tiger started running innocently on the table.

At the same time, the formation on its body turned the spiritual power into gossamer, touching other formations and pulling other little tigers to run together.

 Seven or eight tiger puppets came to life, chasing each other on the table, and there was a lot of joy...

 But controlling these puppets does not consume much spiritual consciousness.

This is just controlling a small puppet. If you control zombies and control them step by step, you may really be able to control thousands of walking zombies with your own consciousness.

 One man becomes an army.

 This is quite scary.

Mo Hua clicked his tongue.

Mo Hua thought for a while, and then sank his consciousness into the sea of ​​consciousness.

He wanted to see if there was any change in the spiritual power manifested by his divine thoughts.

 In the sea of ​​​​consciousness, the ink painting appears, and then closes the eyes and meditates, manifesting the spiritual power.

 After a while, he found that the spiritual power he manifested became more and more subtle, and finally took the shape of "spiritual threads", like light blue silk wadding, or like sticky lotus root threads.

 Spiritual power is transformed into silk!

 In the Spiritual Pivot Formation, the refined spiritual power is like a gossamer.

“This is what Master said, the deeper the understanding, the truer the manifestation.”

 The ink painting's spiritual consciousness has just moved, almost effortlessly, these spiritual threads flow lightly according to the intention of the ink painting.

 Hands of ink drawings were drawn together, and in an instant, the fireball technique was formed on the fingertips.

This time the fireball technique also had some silken effects in the firelight.

Like a big ball of tangled fiery red cotton wool.

 It's just that this "cotton wool" is made of flame spiritual threads that are accumulated, entangled, and compressed.

 Spiritual power is turbulent and orderly.

The ink painting is a bit dazed.

 The fireball technique in my own reality and the fireball technique manifested in the sea of ​​consciousness seem to be completely different.

 The fireball technique in reality is dark red in color, has compressed spiritual power, is quite powerful, and has a faint sign of condensation.

 The fireball technique in the sea of ​​consciousness is still bright red, but the spiritual power differentiation hairspring is more detailed, and it seems that the power of differentiation is stronger.

 For a while, Mo Hua didn’t know whether this was good or bad.

Which one is more powerful?

  It is to make the real fireball technique converge towards the fireball technique manifested in the sea of ​​consciousness.

 Or in the sea of ​​consciousness, to manifest the more realistic fireball technique in reality?

 The ink painting is a bit uncertain.

 “When you go out, let’s ask the old man…”

In addition to the fireball technique, the ink painting's passing water step is also more subtle.

 The passing water step relies on spiritual consciousness to control spiritual power.

 The stronger the control of spiritual consciousness, the more profound the steps will be.

 The Water Prison Technique in the Sea of ​​Consciousness is faster and more binding.

 In the past, the spiritual power turned into a lock, but now the spiritual power turns into silk, and then into a lock, which is enough to entangle the enemy to death.

 The most important thing is the formation.

Himhua gave it a try.

With a thought, the speed of drawing the formation into a formation was twice as fast.

In a few breaths, Mo Hua stood still, relying only on his spiritual consciousness to manifest a first-grade nine-line formation.

Mo Hua thought of a set of combos for himself:

 You can first use the Water Prison Technique to immobilize the enemy. After a few breaths, you can then manifest control formations such as Golden Lock Formation, Water Covering Formation, Wooden Prison Formation, and Quicksand Formation to lock the enemy in place.

 Once locked, the enemy becomes a living target.

 Can be killed with fireball.

 Can manifest earth fire bombardment.

It can also be used to form a molten fire array for refining.

This set of combos is tightly controlled, and the attack form can be adapted to the "enemy"'s conditions, with many variations.

As long as the body is in the foundation-building stage and its spiritual consciousness does not exceed the twelve lines, if it is eaten by a set of moves, even if the body and spirit are not destroyed, it is probably dying.

Mo Hua nodded, very satisfied.

 Use the sea of ​​consciousness as a prison, and use spiritual thoughts as a killing weapon.

 Can be trapped or killed.

 The self in the sea of ​​consciousness is much better than in reality.

Mo Hua snorted softly: "Let me see, if anyone dares to intrude into my sea of ​​consciousness this time, I will kill him!"

It’s just that the surroundings of the sea of ​​consciousness are now empty, with not a single evil ghost.

 Ink painting has a bit of a "no place for heroes" feeling.

 The ink painting made my hands feel a little itchy, and I turned my eyes and thought:

 “I have to find something to try my hand at…”

 (End of this chapter)