Asking About Longevity: Chapter 199 array theory
Chapter 199 Array Theory
Zhen pens are generally divided into micro hair, small hair, medium hair and large hair from small to large.
The larger the array pen is, the larger the array pattern drawn will be, and the scale of the array will be larger, but the effectiveness of the array will not change qualitatively.
Large refining furnaces need to be painted with large brush strokes, which requires more spiritual ink and consumes more spiritual consciousness.
This is the first time I have drawn such a large formation in ink painting. When I first started to write, I felt unfamiliar, but I calmed down and drew it one stroke at a time according to the previously planned formation diagram.
Gradually, I became more comfortable with ink painting.
Although the formation media are different, the essence of the formation is still the same.
This set of complex formations has been copied many times in ink on formation paper and Taoist tablets.
Elder Yu watched from the side, holding his breath and concentrating, not disturbing the ink painting.
Master Chen was equally energetic and did not dare to breathe. He had previously doubted whether Mo Hua could really draw a first-grade formation. Now that he saw Mo Hua personally drawing formations on such a huge refining furnace, he was shocked and also sad. Feeling.
Such a large refining furnace, with such a large formation, how big the fire must be...
Just thinking about it makes Master Chen very excited.
The formation of the ink painting was not going smoothly.
He could already draw the first-grade Molten Fire Spirit Control Formation on the Dao tablet in the Sea of Consciousness. He originally thought that his spiritual consciousness was enough, but now he drew the formation on the refining furnace, and the required spiritual consciousness increased. A little bit.
Just this little bit, like the straw that broke the camel's back, made the first few formations of Mo Hua fail.
Ink painting can only be done by asking someone to help, wash away the failed formation hub with spirit-eliminating liquid, and then start painting again.
He himself was sitting on the side meditating, restoring his consciousness to fullness.
Ink painting continued, and then failed again.
I went back and forth like this for a whole day, painting and washing the formation pivot, and then painting it on after washing it off. I repeated this many times, but still made no progress.
Seeing that it was getting late, Elder Yu comforted Mo Hua and said:
"Have a good rest and paint again tomorrow. Don't rush it."
Mo Hua painted for a day without making any progress. He did feel a little tired and his consciousness was not clear enough, so he nodded.
After Mo Hua left, Master Chen asked Elder Yu, "Is this formation particularly difficult?"
He has never seen Mo Huahua's formation fail so many times in a row.
“It must be difficult to draw Mo Hua so many times without success!”
Master Chen thought about it and felt it made sense.
The night has just fallen and the sky is not very dark yet. Master Chen can still see the remaining formation patterns on the weapon refining furnace. These formation patterns are not only huge, but also complex and profound.
He couldn’t understand it at all anyway.
Master Chen shook his head. He didn’t draw formations. He just watched them for a day and felt mentally exhausted, let alone drawing ink paintings over and over again.
Mo Hua did feel a little tired, but mostly unwilling.
Obviously it’s just a little bit worse…
After Mo Hua returned home, he ate dinner cooked by his mother, then went back to his room to rest for a while with his eyes closed.
After being energetic, Mo Hua kept replaying the process of drawing formations during the day in his mind, thinking about his own gains and losses.
When midnight comes, Mo Hua falls on the bed, closes his eyes, and his consciousness sinks into the sea of consciousness.
The Taoist monument emerges from the sea of consciousness.
Mo Hua began to practice the formation of the complex formation on the Taoist monument.
Because it was difficult to draw during the day, and drawing formations on the inner wall of the refining furnace was still a large-scale formation, which was regarded as "weight-bearing" training, so it was obviously much easier to draw on the Taoist monument at this time.
The formation pattern was still a little jerky at first, but now it becomes much smoother when I draw it again.
Mo Hua practiced the formation on the Taoist monument for another night.
In addition to memorizing the formation pivot structure and formation patterns more familiarly, it also enhanced my spiritual awareness.
Just this point is enough for ink painting to cross the critical threshold and draw the molten fire complex.
Early the next morning, Mo Hua got up early, had a delicious breakfast made by Liu Ruhua, and then set off for the weapon refining business.
Elder Yu and Master Chen also didn't sleep well all night. Elder Yu was worried about the craftsmanship shop, Master Chen was worried about the craftsmanship furnace, and at the same time they were worried about ink painting.
Mo Hua is still a child after all. I spent a whole day drawing yesterday, drawing and erasing formations, but there was no progress throughout the day, and I am afraid my mentality will be a little frustrated.
The two of them were so worried when they saw Mo Hua walking over majestically with a storage bag on his arm, as if he would not let go of this refining furnace.
Only then did the two elders feel that their worries were unnecessary.
The ink painting was full of energy and high morale. Without saying a word, he quickly took out his pen and ink and continued to draw the formation.
This time, ink painting became much easier.
There were still some minor mistakes, and in the end the formation pivot was not drawn.
On the third day, the ink painting finally drew the formation pivot.
The formation pivot is the core structure of the complex formation, and it is also the spiritual threshold of the complex formation. As long as you draw the formation pivot with one thought, you will be more than half successful, and the rest will be much simpler.
Mo Hua also breathed a sigh of relief.
“Is the painting finished?” Elder Yu asked in a low voice upon seeing this.
“Not yet, but the formation pivot is drawn, and it will be soon.” Mo Hua wiped the sweat from his forehead and said with a smile.
His face was covered with red and black spiritual ink, which made him look a little dirty.
Elder Yu wiped his face with his sleeve and gave him a few words of encouragement.
Master Chen also praised: "The painting is already very good!"
Although he doesn’t know what’s so good about it.
Mo Hua ate something, meditated to regain his consciousness, walked for a while, relaxed his mind, and then continued to draw formations.
After the formation hub is drawn, the structure of the complex formation is laid.
The next thing to draw is the first-grade molten fire formation.
Among the first-level formations, the molten formation is slightly more difficult, but compared to the first-level complex formation, it is nothing.
It didn’t take long for the ink painting to be completed, and the first-grade molten fire formation was completed.
The subsequent formations cannot be drawn for the time being. What we need to do now is to use the first-grade molten formation to test whether the formation hub can take effect.
If it doesn't work, the ink painting still needs to be erased and redrawn.
Thinking about it this way, a lot of spiritual ink has been wasted by drawing and wiping in ink, and wiping and drawing again.
Mo Hua was heartbroken.
Sure enough, Taoist monuments that can draw formations without using pen and ink are the best!
When drawing formations on Taoist tablets, you don’t have to worry about wasting ink at all.
Mo Hua sighed and began to verify whether the formation pivot was effective.
“Oh yes, there is also a spirit gathering array.”
Mo Hua suddenly remembered that the Spirit Gathering Formation was the center of the complex formation. It needed to absorb spirit stones and provide spiritual power to make the formation work.
The formations drawn before by Mo Hua are not particularly effective, and most of them are one-time use. Even if they can be reused, the number of times is relatively limited, so there is no need to draw the spirit gathering formation separately.
These formations only require drawing a spirit-gathering formation pattern, or using the formation itself to absorb spiritual energy.
But things are different now.
Large-scale refining furnaces require extremely powerful firepower, which also means that a large amount of spiritual stones must be consumed to supply majestic spiritual power, and complex formations must be used to convert spiritual power into firepower.
At the same time, the furnace must be durable, able to be repeated many times, and provide fire efficiently and stably.
This also means that the formation on the weapon refining furnace must include a stable spiritual power supply cycle of formation eyes, formation hubs, formation patterns, and formation media.
The formation eye provides spiritual power, the formation pivot controls spiritual power, the formation pattern converts spiritual power, and the formation medium carries spiritual power.
This is the real formation circulation system, and it is also the most essential spiritual power circulation structure contained in the formation.
Only by being able to construct and apply this set of complex arrays of spiritual energy cycles can one truly master the logic of the basic spiritual energy operation of the array, and only then can one truly achieve success in the art of arrays!
Thanks to Feng Tsuji Wuhen for the tip~
(End of this chapter)